In 2001, John Bramblitt became completely blind. It was then
that he decided to start painting. Unlike most seeing painters, Bramblitt’s
process is done by touch. First, he lays down the outline with fabric paint.
This creates a raised line that he can use later to guide him in applying the
color. Second, he applies the paint through a tactile approach based on the
texture of the paint. Titanium White, for example has a toothpaste-like
texture, where as the Black is more watery.
Shown above, Street Cello by John Bramblitt, displays an
excellent aesthetic quality in color and design. The painting resonates with me in two primary ways.
One, it shows brilliant use of color and design to illustrate a sense of
movement. It is easy to get swept away in the imaginary song that the cellist
is playing. Two, the painting demonstrates the arts as true form of
expression for everyone, including the physically disabled. The artist’s plight
and perseverance to overcome his physical limitations are as inspirational to
me, both as an artist and a person.
Bramblitt, J., “About”, Aug. 2009. http://bramblitt.net/?page_id=1315
Accessed Jan. 5 2009.
Bramblitt, J., “Street Cello”, Jun. 2013. http://bramblitt.net/?page_id=1315
Accessed Jan. 5 2009.
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